Bernard Haitink, een van mijn grootste voorbeelden (bij wie ik in 2017 het voorrecht had een masterclass te volgen in Luzern, zie video) heeft besloten een punt achter zijn grandioze dirigeercarriere te zetten. En wie kan hem dat, nu hij 90 is, eigenlijk kwalijk nemen? Continue reading “NL | Manoj in Volkskrant over Bernard Haitink”
The production of Harriet by Hilda Paredes with Muziektheater Transparant which I premiered in October 2018 has been named as one of the best classical events of 2018 by Dutch newspaper NRC. Continue reading “‘Harriet’ listed in NRC top classical events 2018 by NRC”
This is the most important and difficult piece I’ve ever written.
Content warning: suicide, depression, mention of eating disorder
In the past couple of years, I have conducted the BBC Philharmonic in concert and the Concertgebouw Orchestra in rehearsals, I have won and fulfilled one of the most coveted young conductor posts in the world (the Junior Fellowship at the Royal Northern College of Music in Manchester), I have co-organised and officiated at the funerals of my father, my grandmother and my cousin, I’ve had a second coming out as pansexual, genderqueer and polyamorous, I’ve become somewhat of an activist regarding the damaging stigma associated with HIV and PrEP, and even managed to successfully move house several times. Yet, writing and sharing this text has, perhaps, been more challenging than any of these things. Continue reading “How I finally became Manoj”
As it is ‘Good Friday’, I wanted to share some brief thoughts about a specific moment in Willem Mengelberg’s recording of the Bach St. Matthew Passion. I don’t love all of the recording, but there are some amazingly beautiful moments and this is definitely my favourite.
It’s the tiny arioso Er hat uns allen wohlgetan just before the famous aria Aus Liebe will mein Heiland sterben. The moment I mean in particular happens near the end of the arioso.
With Sibelius’ music, there is always something resonating that I can’t often put words to but moves me very deeply. Continue reading “Sibelius’ 5th”
I just conducted the Royal Concertgebouw Orchestra and the Netherlands Chamber Choir during their rehearsal of Bach’s Magnificat in D, with Iván Fischer at the helm. Yes, I can’t quite believe it myself..